Monday, 9 September 2013

Top 100 Movies you must Watch... 51- Paths of Glory




1957 Film




  • 8.5/10-IMDb




  • Description
    The film begins with a voiceover describing the trench warfare situation of World War I up to 1916; immediately following this is a scene in which General George Broulard (Adolphe Menjou), a member of the French General Staff, asks his subordinate, the ambitious General Mireau (George Macready), to send his division on a suicide mission to take a well-defended German position called the "Anthill". Mireau initially refuses to comply, citing the impossibility of success and the danger to his beloved soldiers, but when Broulard mentions a potential promotion, Mireau quickly convinces himself the attack will succeed.
    Mireau proceeds to walk through the trenches, addressing his men. He asks several soldiers, "Ready to kill more Germans?" He throws one soldier out of the regiment for showing signs of shell shock, which Mireau denies exists, blaming the soldier's behavior on cowardice. Mireau leaves the detailed planning of the attack to the 701's Régiment Colonel Dax (Kirk Douglas), despite Dax's protests that the only result of the attack will be to weaken the French Army with heavy losses for no benefit. Mireau does not relent.
    During a nighttime scouting mission prior to the attack, a drunken lieutenant named Roget (Wayne Morris) sends one of his two men ahead as a scout. Overcome by fear while waiting for the scout's return, he lobs a grenade and retreats. The other soldier — Corporal Paris (Ralph Meeker) — finds the body of the scout, killed by the grenade. Having safely returned, he confronts Roget, but Roget denies any wrongdoing, and falsifies his report to Colonel Dax.
    The next morning, the attack on the German position proceeds, beginning with a first wave of soldiers, and with Dax leading, but ends in disaster. None of the men reach the German trenches, and one-third of the soldiers (B Company) refuse to leave their own trench because of heavy enemy fire. Mireau, enraged, orders his own artillery to open fire on them to force them onto the battlefield. The artillery commander refuses to fire on his own men without written confirmation of the orders. Meanwhile, Dax returns to the trenches, and tries to rally B Company to join the battle, but as he climbs out of the trench, the body of a retreating French soldier knocks him down. It becomes obvious that the attack has failed.
    To deflect blame for the failure, Mireau decides to court martial 100 of the soldiers for cowardice. Broulard convinces him to reduce the number to three, one from each company. Corporal Paris is chosen because his commanding officer, Lt. Roget, wishes to keep him from testifying about his actions in the scouting mission. Private Ferol (Timothy Carey) is picked by his commanding officer because he is a "social undesirable." The last man, Private Arnaud (Joe Turkel), is chosen randomly by lot, despite having been cited for bravery twice previously.
    Dax, who was a criminal defense lawyer in civilian life, volunteers to defend the men at their court-martial. Unfortunately, the entire trial is a farce and can accurately be described as a "kangaroo court" as the rights of the accused are repeatedly violated. For example, there is no specific and formal statement of the charges against them at the commencement of the trial, no verbatim stenographic record of the trial proceedings is being created, and compelling evidence which would support acquittal of the defendants is not permitted to be heard. In his closing statement, Dax challenges the court's authenticity, and requests mercy, saying, "Gentlemen of the court, to find these men guilty would be a crime to haunt each of you till the day you die." Nonetheless, the three men are sentenced to death.
    Later, Dax, aware of the reason Roget picked Paris to be executed, appoints Roget to have charge of the executions. Horrified, Roget protests, but Dax dismisses him curtly from his quarters.
    Captain Rousseau (John Stein), the artillery commander who had earlier refused Mireau's order to fire on his own men, arrives to tell Dax about the order. Dax then crashes a formal ball where he privately informs Broulard of Mireau's treachery, providing sworn statements by witnesses, but is brusquely dismissed.
    The next morning, the three condemned men are led out into a courtyard, among soldiers from all three companies and senior officers. Arnaud, injured during a desperate outburst in prison, is carried out on a stretcher and tied to the execution post. A sobbing Ferol is blindfolded. Paris is offered a blindfold by Roget, but refuses. Roget meekly apologizes to Paris for what he has done, eliciting an ambiguous response. All three men are then shot and killed by the firing squad.
    Following the execution, Broulard has breakfast with the gloating Mireau. Dax enters, invited by Broulard. Broulard then reveals that Mireau will be investigated for the order to fire on his own men. Mireau leaves angrily, declaring that he has been made a scapegoat. Broulard then offers Dax Mireau's command, suggesting that the whole nasty affair of events had been an plan by Dax to get a promotion all along. Disgusted, Dax turns down the promotion, and Broulard and Dax exchange comments about each other's personality.
    After the execution, some of Dax's soldiers are happily partying, unaware that orders have come for them to return to the front line trenches immediately. Dax lets the men enjoy a few minutes while his face hardens as he returns to his quarters.

    Trailer


  • Top 100 Movies you must Watch... 50- M




    1931 Film



  • 8.5/10-IMDb




  • Description
    A group of children are playing an elimination game in the courtyard of an apartment building in Berlin[5] using a chant about a child murderer. A woman sets the table for dinner, waiting for her daughter to come home from school. A wanted poster warns of a serial killer preying on children, as anxious parents wait outside a school.
    Little Elsie Beckmann leaves school, bouncing a ball on her way home. She is approached by Hans Beckert, who is whistling "In the Hall of the Mountain King" by Edvard Grieg. He offers to buy her a balloon from a blind street-vendor. He walks and talks with her. Elsie's place at the dinner table remains empty, her ball is shown rolling away across a patch of grass, and her balloon is lost in the telephone lines overhead.
    In the wake of Elsie's death, Beckert sends an angry letter about his crimes to the newspapers, from which the police extract clues using the new techniques of fingerprinting and handwriting analysis. Under mounting pressure from city leaders, the police work around the clock. Inspector Karl Lohmann, instructs his men to intensify their search and to check the records of recently released psychiatric patients to look for those with a history of violence against children. They stage frequent raids to question known criminals, disrupting underworld business so badly that Der Schränker ("The Safecracker") calls a meeting of the city's criminal bosses. They decide to organize their own manhunt, using beggars to watch and guard the children.
    The police discover two clues corresponding to the killer's letter in Beckert's rented rooms. They wait there to arrest him.
    Beckert sees a young girl in the reflection of a shop window. Following her, he is thwarted when the girl meets her mother. When he encounters another young girl, he succeeds in befriending her, but the blind beggar recognizes his whistling. The blind man tells one of his friends, who tails the killer with assistance from other beggars he alerts along the way. Afraid of losing him, one young man chalks a large M (for Mörder, meaning "murderer" in German) on his hand, pretends to trip and bumps into Beckert, marking the back of his clothing.
    The beggars close in. When Beckert finally realizes he is being followed, he hides inside a large office building just before the workers leave for the evening. The beggars call Der Schränker, and a team of criminals arrives. They tie up and torture a guard for information. After capturing the remaining watchmen, they systematically search the building from coal cellar to attic, finally catching Beckert. When a watchman manages to trip the silent alarm, the crooks narrowly escape with their prisoner before the police arrive. One, however, is captured and eventually tricked into revealing the purpose of the break-in (nothing was stolen) and where Beckert would be taken.
    The criminals drag Beckert to an abandoned distillery to face a kangaroo court. He finds a large, silent crowd awaiting him. Beckert is given a "lawyer", who gamely argues in his defense but fails to win any sympathy from the "jury". Beckert delivers an impassioned monologue, saying that his urges compel him to commit the crimes which he later regrets, while the other criminals present break the law by choice. His "lawyer" points out that the presiding "judge" is himself wanted on three counts of totschlag (a form of homicide under German law). Beckert pleads to be handed over to the police, asking, "Who knows what it's like to be me?" Just as the enraged mob is about to kill him, the police arrive.
    Five judges prepare to pass judgment on Beckert. Before the sentence is announced, the shot cuts to three of the victims' mothers crying. Elsie's mother says no sentence would bring back the dead children, and "One has to keep closer watch over the children." The screen goes black as she adds, "All of you.

    Trailer



  • Top 100 Movies you must Watch... 49- The Departed




    2006 Film



  • Description
    Colin Sullivan (Damon) is introduced to organized crime by Irish-American mobster Frank Costello (Nicholson) in the Irish neighborhood of South Boston. Costello trains him to become a mole inside the Massachusetts State Police. Sullivan is accepted into the Special Investigations Unit, which focuses on organized crime.
    Before he graduates from the police academy, Billy Costigan (DiCaprio) is asked by Captain Queenan (Sheen) and Staff Sergeant Dignam (Wahlberg) to go undercover, as his family ties to organized crime make him a perfect infiltrator. He drops out of the academy and does time in prison on a fake assault charge to increase his credibility.
    As both men infiltrate their respective organizations, Sullivan begins a romance with psychiatrist Madolyn Madden (Farmiga). Costigan sees her for his probation and develops a relationship with her, as well.
    After Costello escapes a sting operation, both moles become aware of each other's existence. Sullivan is told to find the "rat" and asks Costello for information to determine who is the informer within his crew.
    Costigan follows Costello into a cinema, where Costello gives Sullivan an envelope containing personal information on his crew members. Costigan then chases Sullivan through Chinatown. When it is over, neither man knows the other's identity. Sullivan has Queenan tailed to a meeting with Costigan, and Costello's men kill Queenan. When they exit, Costigan pretends he has come to join them. Later, Costello's henchman, Fitzgibbons (O'Hara), reveals that crew member Delahunt (Rolston) was an undercover cop. Dignam is forced to step down as a consequence.
    Using Queenan's phone, Sullivan reaches Costigan, who refuses to abort his mission. Sullivan learns of Costello's role as an informant for the Federal Bureau of Investigation from Queenan's diary, causing him to worry about his own identity being revealed. With Costigan's help, Costello is traced to a cocaine drop-off, where a gunfight erupts between his crew and police, resulting in most of the crew's being killed. Costello, confronted by Sullivan, admits he is an occasional FBI informant. Sullivan then shoots him multiple times. With Costello dead, Sullivan is applauded the next day by everyone on the force. In good faith, Costigan comes to him for restoration of his true identity and to be paid for his work, but notices the envelope from Costello on Sullivan's desk and flees, finally realizing Sullivan is the enemy. Knowing he has been found out, Sullivan erases all records of Costigan from the police computer system.
    Madolyn tells Sullivan she is pregnant, but does not reveal who the father is. Later, she discovers a package from Costigan containing a CD with recordings of Costello's conversations with Sullivan. Sullivan walks in as she is listening and tries unsuccessfully to assuage her suspicions. He contacts Costigan, who reveals that Costello recorded every conversation he had with Sullivan. Costello's attorney left Costigan in possession of the recordings and he intends to implicate Sullivan. They agree to meet at the building where Queenan died.
    On the roof, Costigan catches Sullivan off-guard and handcuffs him. As Costigan had secretly arranged, Officer Brown (Anderson) appears on the roof as well. Shocked, Brown draws his gun on Costigan, who attempts to justify his actions by exposing Sullivan as the rat. Costigan asks Brown why Dignam did not accompany him, but Brown does not answer. Costigan leads Sullivan to the elevator. When it reaches the ground floor, Costigan is shot in the head by Officer Barrigan (Dale), who then shoots Brown and reveals to Sullivan that Costello had more than one mole in the police. When Barrigan turns, Sullivan shoots him in the head. At police headquarters, Sullivan identifies Barrigan as the mole and has Costigan posthumously given the Medal of Merit.
    At Costigan's funeral, Sullivan and Madolyn stand at the grave. Sullivan attempts to talk to her, but she ignores him. When Sullivan returns to his apartment, he is ambushed by Dignam, who shoots and kills him as he is entering the apartment.

    Trailer


  • Wednesday, 4 September 2013

    Top 100 Movies you must Watch... 48- The Pianist





  • 2002 Film


  • 8.5/10-IMDb
  • Release date: December 25, 2002 (USA)
    Awards: Academy Award for Best ActorPalme d'OrAcademy Award for Best DirectorAcademy Award for Writing Adapted Screenplay,BAFTA Award for Best FilmCésar Award for Best FilmCesar Award for Best Original ScoreCésar Award for Best ActorPolish Academy Award for Best FilmCésar Award for Best DirectorPolish Academy Award for Best Film ScoreBAFTA Award for Best DirectionPolish Academy Award for Best CinematographyCésar Award for Best SoundCésar Award for Best CinematographyNational Society of Film Critics Award for Best FilmCésar Award for Best Production DesignPolish Academy Award for Best Production DesignPolish Academy Award for Best Costume DesignPolish Academy Award for Best SoundNational Society of Film Critics Award for Best ActorDavid di Donatello for Best Foreign FilmBoston Society of Film Critics Award for Best ActorGoya Award for Best European FilmNational Society of Film Critics Award for Best DirectorJapan Academy Prize for Outstanding Foreign Language FilmCarlo Di Palma European Cinematographer AwardPolish Academy Award for Best DirectorNational Society of Film Critics Awards for Best ActorPolish Academy Award for Best EditingSan Francisco Film Critics Circle Award for Best FilmNational Society of Film Critics Award for Best Screenplay


  • Description
    In September 1939, Władysław Szpilman, a Polish-Jewish pianist, plays on radio in Warsaw when the station is bombed during Nazi Germany's invasion of Poland at the outbreak of World War II. Hoping for a quick victory, Szpilman rejoices with family at home when learning that Britain and France have declared war on Germany. But Germany defeats Poland quickly and its troops enter Warsaw, where life for Jews deteriorates as the Nazi authorities prevent them from working or owning businesses, and force them to wear blue Star of David armbands.
    By November 1940, Szpilman and his family have been forced from their home into the overcrowded Warsaw Ghetto where conditions only get worse. People starve, the guards are brutal and corpses are left in the streets. On one occasion, the Szpilmans witness the SS kill an entire family during a łapanka (raid) in an apartment across the street. In August 16, 1942, the family are deported to Treblinka extermination camp, but Szpilman survives at the Umschlagplatz due to an intervention from a friend in the Jewish Ghetto Police. Szpilman becomes a slave labourer and learns of a coming Jewish revolt. He helps by smuggling weapons into the ghetto, narrowly avoiding a suspicious guard. He then manages to escape and goes into hiding with help from non-Jewish friend Andrzej Bogucki and his wife Janina. In April 1943, from his window, Szpilman observes the Warsaw Ghetto Uprising he aided and its ultimate failure. After a neighbor discovers him, Szpilman is forced to flee and is provided with a second hiding place. He is shown into a room with a piano, yet forced to keep quiet, while beginning to sufferjaundice.
    In August 1944, the Polish resistance attack a German building across the street from Szpilman's hideout during the Warsaw Uprising. A tank shells his apartment, forcing him to escape and hide elsewhere. Over the course of the next months, the city is destroyed and abandoned, leaving Szpilman alone to search desperately for shelter and supplies among the ruins. He eventually makes his way to an abandoned home where he finds a can of pickles. While trying to open it he is discovered by the Wehrmacht officer Wilm Hosenfeld, who learns that Szpilman is a pianist and asks him to play on a grand piano in the house. The decrepit Szpilman plays Chopin's Ballade in G minor, which moves Hosenfeld. He allows Szpilman to hide in the attic of the empty house and regularly brings him food.
    In January 1945, the Germans are forced to retreat due to the advance of the Red Army. Hosenfeld meets Szpilman for the last time and promises he will listen to him on Polish Radio after the war. He gives Szpilman his greatcoat to keep warm and leaves. However this has almost fatal consequences for Szpilman when he is mistaken as a German officer and shot at by Polish troops liberating Warsaw, who then apprehend and save him. In Spring 1945, former inmates of a Nazi concentration camp pass a Soviet prisoner-of-war camp holding captured German soldiers and verbally abuse them. Hosenfeld, among those captured, overhears a released inmate lament over his former career as a violinist. He asks the violinist if he knows Szpilman, which the violinist confirms. Hosenfeld wishes for Szpilman to return the favor and help release him. Sometime later, the violinist is able to bring Szpilman back to the site but they find it has been long abandoned.
    Later, Szpilman performs Chopin's Grand Polonaise brillante to a large and prestigious audience. An epilogue states that Szpilman died at the age of 88 in 2000, while Hosenfeld died in Soviet captivity in 1952.

    Trailer


  • Top 100 Movies you must Watch... 47- Citizen Kane




  • 1941 Film

  • 8.5/10-IMDb


  • Description
    Charles Foster Kane, an enormously wealthy media proprietor, has been living alone in Florida in his vast palatial estate Xanadu for the last years of his life, with a "No trespassing" sign on the gate. He dies in a bed while holding a snow globe and utters "Rosebud ..."; the globe slips from his dying hand and smashes. Kane's death then becomes sensational news around the world. Newsreel reporter Jerry Thompson tries to find out about Kane's private life and, in particular, to discover the meaning behind his last word. The reporter interviews the great man's friends and associates, and Kane's story unfolds as a series of flashbacks. Thompson approaches Kane's second wife, Susan Alexander, now an alcoholic who runs her own club, but she refuses to tell him anything. Thompson then goes to the private archive of the late Walter Parks Thatcher, a banker who served as Kane's guardian during his childhood and adolescence. It is through Thatcher's written memoirs that Thompson learns about Kane's childhood. Thompson then interviews Kane's personal business manager Mr. Bernstein, best friend Jedediah Leland, Susan for a second time, and Kane's butler Raymond at Xanadu.
    Flashbacks reveal that Kane's childhood was spent in poverty in Colorado (his parents ran a boarding house), until the "world's third largest gold mine" was discovered on the seemingly worthless property his mother had acquired. He is forced to leave his mother, Mary, when she sends him away to the East Coast of the U.S. to live with Thatcher, to be educated. After gaining full control over his possessions at the age of 25, Kane enters the newspaper business with sensationalized yellow journalism. He takes control of the newspaper, the New York Inquirer, and hires all the best journalists. His attempted rise to power is documented, including his manipulation of public opinion for the Spanish American War; his first marriage to Emily Monroe Norton, a President's niece; and his campaign for the office of governor of New York State, for which alternative newspaper headlines are created depending on the result.
    Kane's marriage disintegrates over the years, and he begins an affair with Susan Alexander. Both his wife and his opponent discover the affair, simultaneously ending his marriage and his political career. Kane marries his mistress, and forces her into an operatic career for which she has neither talent nor ambition. Kane finally allows her to abandon her singing career after she attempts suicide, but after a span of time spent in boredom and isolation in Xanadu, she ultimately leaves him.
    Kane spends his last years building his vast estate and lives alone, interacting only with his staff. The butler recounts that Kane had said "Rosebud" after Susan left him, right after seeing a snow globe.
    At Xanadu, Kane's vast number of belongings are being catalogued, ranging from priceless works of art to worthless furniture. During this time, Thompson finds that he is unable to solve the mystery and concludes that "Rosebud" will forever remain an enigma. He theorizes that "Mr. Kane was a man who got everything he wanted, and then lost it. Maybe Rosebud was something he couldn't get, or something he lost." In the ending of the film, it is revealed to the audience that Rosebud was the name of the sled from Kane's childhood – an allusion to the only time in his life that he was truly happy. The sled, thought to be junk, is burned and destroyed in a basement furnace by Xanadu's departing staff.

    Trailer